Acs Surgery Principles And Practice Free Download. The Causes of the Effects We Seek By Michael J. Free Download Modern Ethnic Dance Video. Mayer ©VocalWisdom.com 2002 As I observe the current state of Vocal Pedagogy, I notice that there is a general lack of agreement among voice teachers regarding cause and effect in singing. Much of teaching is concerned with effects, the result of our singing, and not with the actions that cause those effects.

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For instance, it is almost a sin to speak of the larynx or the vocal cords. Granted, the Italian School said, “l’italiano non ha gola”. (The Italian singer has no throat) But this did not mean they ignored it. They had no throat because of the proper freedom of the throat and vocal cords.

And they still made sure that the throat was functioning properly. Another example is the concept of placement.

It is correct to feel sensations of sympathetic vibrations on the lips and in the nose and “mask” as a result of intense vibration and free and open head resonators. Kdz_fw_upd.exe Windows 7. But these sensations do not originate in these places, they are illusions, albeit important, that tell us the voice is functioning correctly. The concept of placement originally referred to the placing of the larynx upon the breath and had more to do with the attack than resonance. It did not refer to some act of directing the tone into the face by “placing” it there. These are just two examples of misunderstood vocal concepts. I intend to examine as many as possible in this series of articles.